# Art Decks

Imported and community decks waiting for editorial categorization.

Canonical URL: https://shipslides.com/c/art
Deck count: 25

## Decks

### Animation
URL: https://shipslides.com/d/art-animation
LLM text: https://shipslides.com/d/art-animation/llms.txt
Slides: 31
Tags: art, animation

A series of slightly different still images shown in rapid sequence, exploiting persistence of vision to produce the illusion of continuous motion. Key sections include: Anim ation.; Opening What animation is.; Chapter I Optical toys.; Chapter II The silent era.; Chapter III Disney's first decade.; Chapter IV 1937.; Chapter V The first golden age.; Chapter VI The competition.; Chapter VII Limited animation.; Chapter VIII Stop motion..

Outline:
1. Anim ation.
2. Opening What animation is.
3. Chapter I Optical toys.
4. Chapter II The silent era.
5. Chapter III Disney's first decade.
6. Chapter IV 1937.
7. Chapter V The first golden age.
8. Chapter VI The competition.
9. Chapter VII Limited animation.
10. Chapter VIII Stop motion.
11. Chapter IX Eastern Europe.
12. Chapter X Japanese animation, early.
13. Chapter XI Miyazaki.
14. Chapter XII Contemporary anime.
15. Chapter XIII The Disney Renaissance.
16. Chapter XIV Pixar.
17. Chapter XV The 2000s expansion.
18. Chapter XVI Animation for adults.
19. Chapter XVII The animation revolution of 2018.
20. Chapter XVIII The principles.
21. Chapter XIX How an animated film is made.
22. Chapter XX Independent and experimental.
23. Chapter XXI The CGI border.
24. Chapter XXII The contemporary toolset.
25. Chapter XXIII Twenty-five works.
26. Chapter XXIV Reading on animation.
27. Chapter XXV Watch & read.
28. Chapter XXVI Where to watch.
29. Chapter XXVII The next decade.
30. Chapter XXVIII Why animation.
31. The end of the deck.

### Architecture / a brief structural history
URL: https://shipslides.com/d/catalog-art-architecture
LLM text: https://shipslides.com/d/catalog-art-architecture/llms.txt
Slides: 13
Tags: catalog, art, architecture

From the megalith to the megacity. Thirteen sheets tracing how humans have shaped, stacked, vaulted, and printed space — and what each era carried forward into the next. Key sections include: Architecture / a brief structural history; Stones standing up — the post and lintel.; Mass, geometry, and a stone mountain for a king.; The orders — rules of how a column meets a roof.; Concrete, the arch, and the dome.; Walls become bones — pointed arch + flying buttress.; The dome, reborn on geometry.; Drama, motion, the curved facade.; Iron, steel, and the building that wants to be a machine.; "Form follows function." Ornament leaves the building..

Outline:
1. Architecture / a brief structural history
2. Stones standing up — the post and lintel.
3. Mass, geometry, and a stone mountain for a king.
4. The orders — rules of how a column meets a roof.
5. Concrete, the arch, and the dome.
6. Walls become bones — pointed arch + flying buttress.
7. The dome, reborn on geometry.
8. Drama, motion, the curved facade.
9. Iron, steel, and the building that wants to be a machine.
10. "Form follows function." Ornament leaves the building.
11. The grid relaxes. The building learns to bend.
12. The building as a climate device.
13. Further reading — and references.

### Architecture — Plans & Sections
URL: https://shipslides.com/d/art-architecture
LLM text: https://shipslides.com/d/art-architecture/llms.txt
Slides: 19
Tags: art, architecture

The largest art form humans practise. Six millennia of stacked stone, bent timber, poured concrete, and tensioned cable, in roughly the order they were stacked, bent, poured, and tensioned. Each sheet of this set is a single building, era, or idea. Read them as a roll of drawings; or jump to whatever room you want to enter first. Key sections include: Architecture; Plans, Sections, Elevations · A Field Manual; PLAN · The Parthenon, Athens; SECTION · The Pantheon, Rome; ELEVATION · The Gothic Cathedral; The Renaissance Architects; Baroque Energy; Iron, Glass, Beaux-Arts; PLAN · The Open Plan; Béton Brut.

Outline:
1. Architecture
2. Plans, Sections, Elevations · A Field Manual
3. PLAN · The Parthenon, Athens
4. SECTION · The Pantheon, Rome
5. ELEVATION · The Gothic Cathedral
6. The Renaissance Architects
7. Baroque Energy
8. Iron, Glass, Beaux-Arts
9. PLAN · The Open Plan
10. Béton Brut
11. Less Is a Bore
12. The Building as Machine
13. Bend Everything
14. Algorithm · Fabrication
15. The Local Answer
16. What the Building Is Made Of
17. The Three Drawings
18. Look At Next
19. Closing

### CINEMA — 125 Years of Moving Images
URL: https://shipslides.com/d/catalog-art-cinema
LLM text: https://shipslides.com/d/catalog-art-cinema/llms.txt
Slides: 13
Tags: catalog, art, cinema

SCENE TAKE CINEMA 125 Reel 02 · 1895 The First Audiences Lumière, Paris December 28, 1895. The Lumière brothers project ten short films at the Salon Indien du Grand Café. L'Arrivée d'un train en gare de La Ciotat reportedly sends viewers diving from their seats. Cinema is born as a public, communal event — a shared startle. Key sections include: Cinema / 125 Years; The First Audiences; The Great Train Robbery; The Silent Language; "You ain't heard nothin' yet."; The Studio System; The Auteur Theory; New Hollywood; Blockbuster, VCR , Cable; The Digital Cut.

Outline:
1. Cinema / 125 Years
2. The First Audiences
3. The Great Train Robbery
4. The Silent Language
5. "You ain't heard nothin' yet."
6. The Studio System
7. The Auteur Theory
8. New Hollywood
9. Blockbuster, VCR , Cable
10. The Digital Cut
11. Streaming & the Death of "Film"
12. Cinema as Art
13. Further Viewing

### Calligraphy
URL: https://shipslides.com/d/art-calligraphy
LLM text: https://shipslides.com/d/art-calligraphy/llms.txt
Slides: 32
Tags: art, calligraphy

Calligraphy is the slowest visual art and the most patient. A single Chinese character can take a master sixty years to master. A single Quranic verse can take a year to compose. Key sections include: Calli graphy.; Opening The hand and the mark.; Chapter I Before calligraphy.; Chapter II The five scripts.; Chapter III The Sage of Calligraphy.; Chapter IV The Tang.; Chapter V Song through Qing.; Chapter VI East Asian variants.; Chapter VII Arabic calligraphy.; Chapter VIII Kufic..

Outline:
1. Calli graphy.
2. Opening The hand and the mark.
3. Chapter I Before calligraphy.
4. Chapter II The five scripts.
5. Chapter III The Sage of Calligraphy.
6. Chapter IV The Tang.
7. Chapter V Song through Qing.
8. Chapter VI East Asian variants.
9. Chapter VII Arabic calligraphy.
10. Chapter VIII Kufic.
11. Chapter IX Naskh and Thuluth.
12. Chapter X Nastaʿlīq.
13. Chapter XI Ottoman scripts.
14. Chapter XII The 20th-century revival.
15. Chapter XIII Roman square capitals.
16. Chapter XIV Carolingian minuscule.
17. Chapter XV Blackletter.
18. Chapter XVI Italian humanist hands.
19. Chapter XVII Copperplate and the pointed pen.
20. Chapter XVIII The 20th-century revival.
21. Chapter XIX Calligraphy meets type-design.
22. Chapter XX Tools.
23. Chapter XXI What calligraphy is.
24. Chapter XXII The 20th-century crisis.
25. Chapter XXIII The screen.
26. Chapter XXIV Twenty-five works.
27. Chapter XXV Watch & read.
28. Chapter XXVI If you want to begin.
29. Chapter XXVII The case for slowness.
30. Chapter XXVIII Collections to visit.
31. Chapter XXIX The argument.
32. The end of the deck.

### Design / 130 Years of Movements
URL: https://shipslides.com/d/catalog-art-design-movements
LLM text: https://shipslides.com/d/catalog-art-design-movements/llms.txt
Slides: 13
Tags: catalog, art, design, movements

A 19th–century revolt against industrial ugliness. William Morris and John Ruskin held that beauty lived in the maker’s hand — in honest materials, visible joinery, and patterns drawn from nature. Key sections include: Arts & Crafts. The hand against the machine.; Art Nouveau. Lines as living things.; Bauhaus. Form follows function.; International Style. Neutrality as an ideal.; Mid-century Modern. Modernism, but warmer.; Memphis. Color and irony come back.; Pixel art. Hard limits, hard charm.; Skeuomorphism. Wood, leather, felt.; Flat design. Pixels stop pretending.; Neumorphism. Brutalist web. Glassmorphism..

Outline:
1. Arts & Crafts. The hand against the machine.
2. Art Nouveau. Lines as living things.
3. Bauhaus. Form follows function.
4. International Style. Neutrality as an ideal.
5. Mid-century Modern. Modernism, but warmer.
6. Memphis. Color and irony come back.
7. Pixel art. Hard limits, hard charm.
8. Skeuomorphism. Wood, leather, felt.
9. Flat design. Pixels stop pretending.
10. Neumorphism. Brutalist web. Glassmorphism.
11. Maximal ↔ minimal, over and over.
12. Keep looking. Design is a conversation.

### Ceramics
URL: https://shipslides.com/d/art-ceramics
LLM text: https://shipslides.com/d/art-ceramics/llms.txt
Slides: 30
Tags: art, ceramics

Before bronze, before iron, before glass — fired clay. Ceramics is the oldest engineered material that survives in archaeological volume, and possibly the oldest manufactured material full stop. Key sections include: Cera mics.; Opening The first technology.; Chapter I What clay is.; Chapter II Making a pot.; Chapter III Glaze chemistry.; Chapter IV The kiln.; Chapter V Chinese ceramics.; Chapter VI Japanese ceramics.; Chapter VII Korean ceramics.; Chapter VIII Islamic ceramics..

Outline:
1. Cera mics.
2. Opening The first technology.
3. Chapter I What clay is.
4. Chapter II Making a pot.
5. Chapter III Glaze chemistry.
6. Chapter IV The kiln.
7. Chapter V Chinese ceramics.
8. Chapter VI Japanese ceramics.
9. Chapter VII Korean ceramics.
10. Chapter VIII Islamic ceramics.
11. Chapter IX European ceramics.
12. Chapter X Pre-Columbian and indigenous American.
13. Chapter XI African ceramics.
14. Chapter XII The studio pottery movement.
15. Chapter XIII The tea bowl.
16. Chapter XIV Tile and architectural ceramics.
17. Chapter XV Industrial ceramics.
18. Chapter XVI Contemporary ceramics.
19. Chapter XVII Ceramic 3D printing.
20. Chapter XVIII The market.
21. Chapter XIX Reduction, salt, raku.
22. Chapter XX The studio toolkit.
23. Chapter XXI Health, safety, sustainability.
24. Chapter XXII Open questions.
25. Chapter XXIII Twenty-five works.
26. Chapter XXIV Watch & read.
27. Chapter XXV If you want to make pots.
28. Chapter XXVI Why ceramics matters.
29. Chapter XXVII The next decade.
30. The end of the deck.

### Impressionism — A Gallery Deck
URL: https://shipslides.com/d/catalog-art-impressionism
LLM text: https://shipslides.com/d/catalog-art-impressionism/llms.txt
Slides: 13
Tags: catalog, art, impressionism

Painting light, 1872–1886 Key sections include: Impressionism; Breaking with the Academy; 1874: The First Exhibition; A New Way of Painting; Claude Monet; Pierre-Auguste Renoir; Edgar Degas; Berthe Morisot; Camille Pissarro; Mary Cassatt.

Outline:
1. Impressionism
2. Breaking with the Academy
3. 1874: The First Exhibition
4. A New Way of Painting
5. Claude Monet
6. Pierre-Auguste Renoir
7. Edgar Degas
8. Berthe Morisot
9. Camille Pissarro
10. Mary Cassatt
11. After Impressionism
12. Why It Matters
13. Go See Them in the Flesh

### Cinema — 24 Frames Per Century
URL: https://shipslides.com/d/art-cinema
LLM text: https://shipslides.com/d/art-cinema/llms.txt
Slides: 18
Tags: art, cinema

CLAUDEDECK / VOL. IV / DECK 07 Key sections include: 24 FRAMES PER CENTURY.; December 28, 1895.; Méliès · Griffith · Murnau · Eisenstein.; "Wait a minute, wait a minute. You ain't heard nothin' yet."; Hollywood, 1939.; La politique des auteurs.; Outside Hollywood.; Bonnie and Clyde to Heaven's Gate.; One-point perspective.; Ozu · Wong Kar-wai · Hou · Edward Yang · Bong · Park..

Outline:
1. 24 FRAMES PER CENTURY.
2. December 28, 1895.
3. Méliès · Griffith · Murnau · Eisenstein.
4. "Wait a minute, wait a minute. You ain't heard nothin' yet."
5. Hollywood, 1939.
6. La politique des auteurs.
7. Outside Hollywood.
8. Bonnie and Clyde to Heaven's Gate.
9. One-point perspective.
10. Ozu · Wong Kar-wai · Hou · Edward Yang · Bong · Park.
11. Light is half the picture.
12. Directors, all the way down.
13. From Disney to Studio Ghibli to Pixar.
14. Frame, blocking, lens, light.
15. The Soviet montage and what came after.
16. After the multiplex.
17. Three video essays.
18. Fade to black.

### World Literature — Stories Across Continents
URL: https://shipslides.com/d/catalog-art-literature
LLM text: https://shipslides.com/d/catalog-art-literature/llms.txt
Slides: 13
Tags: catalog, art, literature

Stories across continents — from the clay tablets of Uruk to the contemporary novel in translation. Key sections include: World Literature; The Epic of Gilgamesh; Greek Epic & Tragedy; Sanskrit Classics; Chinese Classics; One Thousand & One Nights; Don Quixote & The Tale of Genji; The 19th-Century Novel; Modernism; The Latin American Boom.

Outline:
1. World Literature
2. The Epic of Gilgamesh
3. Greek Epic & Tragedy
4. Sanskrit Classics
5. Chinese Classics
6. One Thousand & One Nights
7. Don Quixote & The Tale of Genji
8. The 19th-Century Novel
9. Modernism
10. The Latin American Boom
11. Postcolonial Voices
12. The Contemporary Novel
13. Further Reading

### Fashion — A Field Edition
URL: https://shipslides.com/d/art-fashion
LLM text: https://shipslides.com/d/art-fashion/llms.txt
Slides: 13
Tags: art, fashion

Charles Frederick Worth, an English draper's apprentice, opens a salon at 7 rue de la Paix, Paris, in 1858. He shows finished gowns on live models — until then, dressmakers had brought their fabrics and sketches to the client's house — and signs his label inside each garment. The fashion designer, in the modern sense, has just been invented. Key sections include: Worth invents the designer.; Coco Chanel cuts the corset.; February 12, 1947: The New Look.; Le smoking.; Tokyo arrives in Paris.; Margiela hides his face.; A century of silhouettes.; The supply chain.; The fashion photograph.; Watch list..

Outline:
1. Worth invents the designer.
2. Coco Chanel cuts the corset.
3. February 12, 1947: The New Look.
4. Le smoking.
5. Tokyo arrives in Paris.
6. Margiela hides his face.
7. A century of silhouettes.
8. The supply chain.
9. The fashion photograph.
10. Watch list.
11. A glossary of the cut.
12. The end (this issue).

### Modern Art / 1900-1970
URL: https://shipslides.com/d/catalog-art-modern-movements
LLM text: https://shipslides.com/d/catalog-art-modern-movements/llms.txt
Slides: 13
Tags: catalog, art, modern, movements

Henri Matisse, André Derain, Maurice de Vlaminck. They paint a face green, a sky pink, a tree red — not to describe the world, but to express it. Key sections include: COLOR, OFF THE LEASH.; MULTIPLE VIEW- POINTS, ONE PLANE.; SPEED. MACHINE. WAR.; ANTI-ART AS ART.; THE UNCONSCIOUS, RENDERED.; ART FOR THE REVOLUTION.; ART + CRAFT = LIFE.; PAINTING AS ARENA.; SOUP. COMICS. STARS.; "WHAT YOU SEE IS WHAT YOU SEE.".

Outline:
1. COLOR, OFF THE LEASH.
2. MULTIPLE VIEW- POINTS, ONE PLANE.
3. SPEED. MACHINE. WAR.
4. ANTI-ART AS ART.
5. THE UNCONSCIOUS, RENDERED.
6. ART FOR THE REVOLUTION.
7. ART + CRAFT = LIFE.
8. PAINTING AS ARENA.
9. SOUP. COMICS. STARS.
10. "WHAT YOU SEE IS WHAT YOU SEE."
11. From depicting the world to interrogating the act of depiction itself.
12. REFERENCES

### Graphic Design — A Field Guide
URL: https://shipslides.com/d/art-graphic-design
LLM text: https://shipslides.com/d/art-graphic-design/llms.txt
Slides: 18
Tags: art, graphic, design

Vol. IV Deck 05 2026.05 Key sections include: Grid. Type. Sign.; What graphic design is.; Posters · the moving picture before cinema.; The Bauhaus type lab.; Swiss style · the international typographic style.; Helvetica.; Anatomy of the grid.; Push Pin Studio · the American counter-style.; The brand system.; Anatomy of a typeface..

Outline:
1. Grid. Type. Sign.
2. What graphic design is.
3. Posters · the moving picture before cinema.
4. The Bauhaus type lab.
5. Swiss style · the international typographic style.
6. Helvetica.
7. Anatomy of the grid.
8. Push Pin Studio · the American counter-style.
9. The brand system.
10. Anatomy of a typeface.
11. The new wave · April Greiman, David Carson, Tibor Kalman.
12. Color theory, in two minutes.
13. The screen · from pixel to vector.
14. The poster lives.
15. What graphic design is for.
16. Watch & read.
17. Closing.
18. End plate.

### MUSIC — A Brief History (Concert Program)
URL: https://shipslides.com/d/catalog-art-music
LLM text: https://shipslides.com/d/catalog-art-music/llms.txt
Slides: 14
Tags: catalog, art, music

❦ ❦ ❦ Conducted in thirteen movements — use → or click Key sections include: MUSIC / a brief history; From plainchant to playlists; Medieval — cantus planus; Renaissance — the woven voice; Baroque — affetto and ornament; Classical — clarity, balance, sonata; Romantic — sturm und drang; Modernism — the riot and the row; Jazz — an American invention; Recorded music — sound as object.

Outline:
1. MUSIC / a brief history
2. From plainchant to playlists
3. Medieval — cantus planus
4. Renaissance — the woven voice
5. Baroque — affetto and ornament
6. Classical — clarity, balance, sonata
7. Romantic — sturm und drang
8. Modernism — the riot and the row
9. Jazz — an American invention
10. Recorded music — sound as object
11. Rock & Pop — the amplified century
12. Electronic — new instruments, new ears
13. The streaming era — everything, all at once
14. Encore — da capo

### Industrial Design — Specification Manual
URL: https://shipslides.com/d/art-industrial-design
LLM text: https://shipslides.com/d/art-industrial-design/llms.txt
Slides: 17
Tags: art, industrial, design

From the Bauhaus workshop to the Apple Park atrium — how the discipline that designs the things you touch before noon got organised, codified, and globalised. Key sections include: Industrial Design.; What industrial design is.; The Bauhaus workshop, 1925.; American streamlining, 1930–55.; Olivetti, Italy, 1933–78.; Dieter Rams & Braun, 1955–1995.; Charles & Ray Eames, Venice, California.; Apple · the design-led corporation.; The seven-stage process.; Memphis, Milan, 1981..

Outline:
1. Industrial Design.
2. What industrial design is.
3. The Bauhaus workshop, 1925.
4. American streamlining, 1930–55.
5. Olivetti, Italy, 1933–78.
6. Dieter Rams & Braun, 1955–1995.
7. Charles & Ray Eames, Venice, California.
8. Apple · the design-led corporation.
9. The seven-stage process.
10. Memphis, Milan, 1981.
11. Design thinking.
12. Twelve objects worth knowing.
13. Anatomy of a product (exploded view).
14. A short list of materials.
15. Photographic reference.
16. Look at next.
17. Closing notes.

### PHOTOGRAPHY / 1839 — present
URL: https://shipslides.com/d/catalog-art-photography
LLM text: https://shipslides.com/d/catalog-art-photography/llms.txt
Slides: 14
Tags: catalog, art, photography

From silver-iodide plates and 8-hour exposures to neural networks that hallucinate light. Two centuries of fixing the world onto a surface — and then losing the surface entirely. Key sections include: PHOTOGRAPHY / 1839 — present; 1826 — Niépce burns a window into pewter.; 1839 — the daguerreotype goes public.; 1888 — "You press the button, we do the rest."; 1925 — 35mm, Leica, and the decisive moment.; The war photographer.; The Depression, in photographs.; 1935 — Kodachrome arrives. Critics sneer.; Photojournalism, 1936–1972.; 1991 — the sensor replaces the silver halide..

Outline:
1. PHOTOGRAPHY / 1839 — present
2. 1826 — Niépce burns a window into pewter.
3. 1839 — the daguerreotype goes public.
4. 1888 — "You press the button, we do the rest."
5. 1925 — 35mm, Leica, and the decisive moment.
6. The war photographer.
7. The Depression, in photographs.
8. 1935 — Kodachrome arrives. Critics sneer.
9. Photojournalism, 1936–1972.
10. 1991 — the sensor replaces the silver halide.
11. 2010 — photography becomes a feed.
12. 2022 — the index breaks.
13. References & viewing.
14. Watch.

### Modernism — Form Follows Form
URL: https://shipslides.com/d/art-modernism
LLM text: https://shipslides.com/d/art-modernism/llms.txt
Slides: 22
Tags: art, modernism

A field guide to the century when painting forgot to be a window, architecture forgot the column, and design tried to redesign the human being. Key sections include: FORM FOLLOWS FORM.; The Old Picture Stops Working.; CUBISM BREAKS THE OBJECT.; SPEED BECOMES A SUBJECT.; BAUHAUS 1919–1933.; A CIRCLE, A SQUARE, A TRIANGLE.; DE STIJL. RED, YELLOW, BLUE, BLACK, WHITE.; DADA SAYS NO.; NEW YORK STEALS THE IDEA OF MODERN ART.; THE MODERN CITY..

Outline:
1. FORM FOLLOWS FORM.
2. The Old Picture Stops Working.
3. CUBISM BREAKS THE OBJECT.
4. SPEED BECOMES A SUBJECT.
5. BAUHAUS 1919–1933.
6. A CIRCLE, A SQUARE, A TRIANGLE.
7. DE STIJL. RED, YELLOW, BLUE, BLACK, WHITE.
8. DADA SAYS NO.
9. NEW YORK STEALS THE IDEA OF MODERN ART.
10. THE MODERN CITY.
11. SUPREMATISM & CONSTRUCTIVISM.
12. THE CENTURY OF MANIFESTOS.
13. THE WOMEN WHO WERE NOT FOOTNOTES.
14. JOSEF ALBERS: HOMAGE TO THE SQUARE.
15. FIVE POINTS OF A NEW ARCHITECTURE.
16. WHAT IT WANTED.
17. WHAT IT COST.
18. LOOK AT NEXT.
19. A SHORT GLOSSARY.
20. THE CENTURY WAS A SQUARE.
21. END OF DECK.

### Renaissance Art — A Frescoed Gallery Deck
URL: https://shipslides.com/d/catalog-art-renaissance
LLM text: https://shipslides.com/d/catalog-art-renaissance/llms.txt
Slides: 13
Tags: catalog, art, renaissance

Florence rediscovers seeing — the eye, the line, the human form. Key sections include: Renaissance ART; From icon to portrait; Linear perspective — Brunelleschi's experiment; Masaccio — Trinity , 1427; Sfumato & chiaroscuro; Anatomy through dissection; Michelangelo — David & the Sistine ceiling; Raphael — School of Athens; Northern Renaissance — Van Eyck & Dürer; Venetian colore — over disegno.

Outline:
1. Renaissance ART
2. From icon to portrait
3. Linear perspective — Brunelleschi's experiment
4. Masaccio — Trinity , 1427
5. Sfumato & chiaroscuro
6. Anatomy through dissection
7. Michelangelo — David & the Sistine ceiling
8. Raphael — School of Athens
9. Northern Renaissance — Van Eyck & Dürer
10. Venetian colore — over disegno
11. Mannerism — unease after the High Renaissance
12. Why it endures — still our default for "fine art"
13. References & further looking

### Photography — Light Writing
URL: https://shipslides.com/d/art-photography
LLM text: https://shipslides.com/d/art-photography/llms.txt
Slides: 18
Tags: art, photography

From the Greek phos (light) and graphein (to write). The medium that ate memory; the medium of the twentieth century; the medium you carry on your person right now. Key sections include: Photo­ graphy.; Niépce · Daguerre · Talbot.; The Wet-Plate Studio.; The Decisive Moment.; Documentary & the Eye of the Depression.; The Portfolio Wall.; Robert Frank · The Americans.; The Print, the Negative, the File.; Diane Arbus · The Look Back.; Color Arrives, Late..

Outline:
1. Photo­ graphy.
2. Niépce · Daguerre · Talbot.
3. The Wet-Plate Studio.
4. The Decisive Moment.
5. Documentary & the Eye of the Depression.
6. The Portfolio Wall.
7. Robert Frank · The Americans.
8. The Print, the Negative, the File.
9. Diane Arbus · The Look Back.
10. Color Arrives, Late.
11. The Camera Becomes the Phone.
12. The Cropping Question.
13. Fashion, Magazine.
14. The Photographic Series.
15. The Photograph as Document, As Lie.
16. How To Look At a Photograph.
17. Watch List.
18. End plate.

### STREET ART // Walls as Canvases
URL: https://shipslides.com/d/catalog-art-street-art
LLM text: https://shipslides.com/d/catalog-art-street-art/llms.txt
Slides: 15
Tags: catalog, art, street

"); background-size:cover;background-repeat:no-repeat;mix-blend-mode:multiply;opacity:.5; } h1,h2,h3{text-transform:uppercase;line-height:.92;font-weight:400;} h1{font-size:clamp(3rem,9.5vw,9rem);} h2{font-size:clamp(2.2rem,5.5vw,5rem);} h3{font-size:clamp(1.4rem,2.6vw,2.4rem);} p,li{font-family:"Helvetica Neue",Arial,sans-serif;font-size:clamp(1rem,1.6vw,1.35rem);line-height:1.45;letter-spacing:0;}... Key sections include: STREET ART; Walls as Canvases; NAME AS ART; SUBWAY ERA; WILD STYLE; KEITH HARING; JEAN-MICHEL; BASQUIAT; THE CRACKDOWN; STENCIL REVOLUTION.

Outline:
1. STREET ART
2. Walls as Canvases
3. NAME AS ART
4. SUBWAY ERA
5. WILD STYLE
6. KEITH HARING
7. JEAN-MICHEL
8. BASQUIAT
9. THE CRACKDOWN
10. STENCIL REVOLUTION
11. BANKSY
12. MURAL MOVEMENT
13. DISTRICTS
14. DIGITAL AFTERLIFE
15. CREDITS & VIEWING

### Printmaking
URL: https://shipslides.com/d/art-printmaking
LLM text: https://shipslides.com/d/art-printmaking/llms.txt
Slides: 31
Tags: art, printmaking

Printmaking is the art that produces multiples. A drawing is unique; a painting is unique; a print is one of an edition of dozens or hundreds. The artist makes a matrix — a carved block, an incised plate, a stone with greasy drawing, a stretched fine-mesh screen — and the matrix is then printed onto paper. The original is not the finished print; the original is the matrix, which can produce many prints over time... Key sections include: Print making.; Opening The art of the matrix.; Chapter I The five techniques.; Chapter II Chinese woodblock and the Diamond Sutra.; Chapter III Albrecht Dürer.; Chapter IV Rembrandt the etcher.; Chapter V Goya's prints.; Chapter VI Hokusai and ukiyo-e.; Chapter VII Senefelder's invention.; Chapter VIII Toulouse-Lautrec and the poster..

Outline:
1. Print making.
2. Opening The art of the matrix.
3. Chapter I The five techniques.
4. Chapter II Chinese woodblock and the Diamond Sutra.
5. Chapter III Albrecht Dürer.
6. Chapter IV Rembrandt the etcher.
7. Chapter V Goya's prints.
8. Chapter VI Hokusai and ukiyo-e.
9. Chapter VII Senefelder's invention.
10. Chapter VIII Toulouse-Lautrec and the poster.
11. Chapter IX The 20th-century revival.
12. Chapter X Warhol's silkscreen.
13. Chapter XI Japanese moku hanga.
14. Chapter XII The print workshops.
15. Chapter XIII The edition: how prints exist.
16. Chapter XIV Contemporary major figures.
17. Chapter XV The political print.
18. Chapter XVI The materials.
19. Chapter XVII How to look at a print.
20. Chapter XVIII The major print collections.
21. Chapter XIX The contemporary editions market.
22. Chapter XX The library.
23. Chapter XXI Watch & read.
24. Chapter XXII Making prints yourself.
25. Chapter XXIII The contemporary moment.
26. Chapter XXIV The pilgrimage.
27. Chapter XXV Why this matters.
28. Chapter XXVI Where it goes.
29. Chapter XXVII The matrix and the multiple.
30. Chapter XXVIII From Diamond Sutra to now.
31. The end of the deck.

### Renaissance Art — A Field Guide
URL: https://shipslides.com/d/art-renaissance-art
LLM text: https://shipslides.com/d/art-renaissance-art/llms.txt
Slides: 21
Tags: art, renaissance

"); } .page::after{bottom:-2px;right:-2px;transform:rotate(180deg); background-image:url("data:image/svg+xml;utf8, "); } .folio{ font-family:'Cinzel',serif; font-size:11px; letter-spacing:0.3em; text-transform:uppercase; color:var(--rubric); text-align:center; margin-bottom:8px; } .rubric{ font-family:'Cinzel',serif; font-weight:700; color:var(--rubric); text-transform:uppercase; letter-spacing:0.18em... Key sections include: A Field Guide To; Renaissance Art; Index of Leaves; What the Renaissance Was; Giotto Cracks the Plane; Brunelleschi & the Vanishing Point; Masaccio & the Tribute; The Northern Mirror; Botticelli & the Spring; Leonardo's Notebooks.

Outline:
1. A Field Guide To
2. Renaissance Art
3. Index of Leaves
4. What the Renaissance Was
5. Giotto Cracks the Plane
6. Brunelleschi & the Vanishing Point
7. Masaccio & the Tribute
8. The Northern Mirror
9. Botticelli & the Spring
10. Leonardo's Notebooks
11. Michelangelo's Ceiling
12. Raphael's School
13. Titian & Venetian Color
14. Caravaggio's Lamp
15. The Patron's Hand
16. The Recipe of Fresco
17. Of Pigments & Panels
18. The Workshop
19. A Walk Through Florence
20. Look at Next
21. Colophon

### Sculpture — On Volume
URL: https://shipslides.com/d/art-sculpture
LLM text: https://shipslides.com/d/art-sculpture/llms.txt
Slides: 16
Tags: art, sculpture

A field guide to the art form that takes up space — from the Kouroi of archaic Greece to the dirt poured in a desert and called sculpture. Key sections include: On Volume.; What sculpture is.; The Greek body.; Hellenistic drama.; Stone and bronze.; Donatello · Michelangelo · Bernini.; Modern: Brancusi to Calder.; Welded steel · David Smith.; Minimalism.; Land · site · earth..

Outline:
1. On Volume.
2. What sculpture is.
3. The Greek body.
4. Hellenistic drama.
5. Stone and bronze.
6. Donatello · Michelangelo · Bernini.
7. Modern: Brancusi to Calder.
8. Welded steel · David Smith.
9. Minimalism.
10. Land · site · earth.
11. The body, again.
12. Installation.
13. A list of fifteen sculptures.
14. How to look at a sculpture.
15. Look at next.
16. Going out.

### Street Art — Walls as Canvas
URL: https://shipslides.com/d/art-street-art
LLM text: https://shipslides.com/d/art-street-art/llms.txt
Slides: 15
Tags: art, street

Walls as canvas. A pasted-up history of mark-making in public — from the first kid in Philadelphia who wrote his name in marker on a wall, to the global art form of stencils, paste-ups, murals, sculpture, and post-graffiti gallery work that followed. Key sections include: STREET ART.; ORIGINS — Philly, the Bronx, the Subway; The Style Wars; A Pioneers Wall; Into the Gallery; Stencils — the speed of a click; Banksy; The Post-Graffiti Generation; A Global Atlas; Toolkit & Techniques.

Outline:
1. STREET ART.
2. ORIGINS — Philly, the Bronx, the Subway
3. The Style Wars
4. A Pioneers Wall
5. Into the Gallery
6. Stencils — the speed of a click
7. Banksy
8. The Post-Graffiti Generation
9. A Global Atlas
10. Toolkit & Techniques
11. Is it Legal?
12. Critique — Authenticity & the Mural-Industrial Complex
13. Selected Timeline
14. From the Field
15. Watch & Read Next

### Typography
URL: https://shipslides.com/d/art-typography
LLM text: https://shipslides.com/d/art-typography/llms.txt
Slides: 32
Tags: art, typography

Typography is the craft of arranging type for legibility, readability, and effect. It is invisible when done well — the reader sees the words, not the letters. Six centuries of practice have built up an immense, almost ritualised vocabulary of refinements: x-heights and counters, stress and contrast, optical sizes and hinting. Key sections include: Typo graphy.; Chapter I Gutenberg's Bible.; Chapter II Jenson and the Roman.; Chapter III Aldus and Griffo.; Chapter IV Garamond.; Chapter V Caslon.; Chapter VI Baskerville and the Transitional.; Chapter VII Bodoni and Didot.; Chapter VIII Slab serifs.; Chapter IX The sans serif's slow rise..

Outline:
1. Typo graphy.
2. Chapter I Gutenberg's Bible.
3. Chapter II Jenson and the Roman.
4. Chapter III Aldus and Griffo.
5. Chapter IV Garamond.
6. Chapter V Caslon.
7. Chapter VI Baskerville and the Transitional.
8. Chapter VII Bodoni and Didot.
9. Chapter VIII Slab serifs.
10. Chapter IX The sans serif's slow rise.
11. Chapter X Bauhaus and Futura.
12. Chapter XI Helvetica.
13. Chapter XII Frutiger.
14. Chapter XIII Hermann Zapf.
15. Chapter XIV Matthew Carter.
16. Chapter XV Phototypesetting.
17. Chapter XVI PostScript and the Mac.
18. Chapter XVII OpenType.
19. Chapter XVIII Variable fonts.
20. Chapter XIX Web typography.
21. Chapter XX Tschichold and the page.
22. Chapter XXI Anatomy of a letter.
23. Chapter XXII Setting type.
24. Chapter XXIII The workhorses.
25. Chapter XXIV The modern foundries.
26. Chapter XXV Knuth and TeX.
27. Chapter XXVI Twenty essentials.
28. Chapter XXVII Watch & read.
29. Chapter XXVIII Hoefler & Frere-Jones.
30. Chapter XXIX Names to know.
31. The end of the deck.